Press breaks In the flow (Open)
| 1 This press break stays on the attack in the flow of the offence, keeping the middle open. 5 goes deep.
See Press breaks - 5star, 2-1-2 (2-2-1), also 1-Up, Michael Lynch, Middle, Hoop Tactics.
Duke - 5 only goes to about halfcourt until the ball is inbounded, they might have to pass to him.
See Press breaks - Duke vs 1-2-1-1.
a) Inbounds pass to 1
1 gets to the outlet spot, or posts in front of the ball.
On the inbounds pass, 2 and 3 go upcourt, 1 can push the ball sideline or middle, 4 stays behind ball level.
Don Kelbick - spacing is critical to beating pressure, the first step in spacing is to create 3 vertical lanes, then there is one simple rule, do not cross lanes with the dribble. The first option is to dribble up the sideline, the second option is a long (vertical) pass over the top (to 2). |
| 2 On a pass to the trailer, 3 breaks back, then goes upcourt if 4 pushes the ball, 1 trails behind ball level. |
| 3 If 4 reverses the ball to 3 (who meets the pass), 1 cuts up the right sideline (keeping the middle open), 2 changes sides upcourt to replace 3 (floor balance).
4 stays behind ball level.
Michael Lynch - 2 does not change sides of the floor (it's not the first side). |
| 4 Option - 2 holds on the pass to 3, 1 cuts through the middle up the sideline (a chance to get the ball back to the point guard).
See Press Breaks - Double middle. |
| 5 2) Denials
a)
If denied, 1 circle cuts, spins or backcuts middle, 2 and 3 break back if there is no pass.
4 can run the baseline after a made basket.
See Press breaks - 1-up. |
| 6 On an inbounds pass to 2 or 3, 1 cuts up the ballside sideline.
1 and 2 flip-flop roles, 2 is now the point guard, and pushes the ball with the same options
See Press breaks - Hoop Tactics, Xavier (1-up). |
| 7 On ball reversal to 3, 2 goes up the sideline, 1 changes sides. |
| 8 b)
1 can cut across the foul line when overplayed, get an inbounds pass. |
| 9 Run the press break with the ball on the other side, with the option that 1 slices middle on ball reversal to 2 (not shown). |
| 10 c)
1 cuts across the foul line, is not open, 2 breaks back for the inbounds pass, 3 changes sides.
Michael Lynch - cover up the sideline on the first side of the floor.
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| 11 Ball reversal is to the point guard. |
| 12 e)
If 1 and 2 aren't open on their cuts, 3 flashes middle for the inbounds pass,
See 1-Up. |
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